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He’s a great actor with the ability to disappear into any role yet always retain this aura of awareness. He’s the type of handsome that once you get it, you’ll never stop seeing how gorgeous he is. with Kitagawa Keiko, which is just a brilliant stroke of casting him as George.
I don’t find him cute in the least, but he always elicits the right emotions from me when watching him act. Oguri Shun Maybe the best “actor” of his generation (along with Yamada Takayuki), but his penchant for picking the oddest projects really turn me off watching more of his works. As a young actor, he probably has the most extensive body of work amongst his peers, and is a true chameleon.
He’s always great, even if I don’t always like his projects. department head) in (Season 1 and 2, with a movie on the way next Spring) with Ayase Haruka. I adore him as an actor, but would never think about bringing him home to meet the parents.
Tamaki Hiroshi He’s probably best known for his role as the prickly genius conductor in Nodame Cantabile, but I actually loved him in more. But he’s been acting for ages and has quite a prolific resume. He is such a scene stealer onscreen, always making any role memorable and unique.
I’ve never found Shun attractive, but he always impresses me.
The same isn’t true elsewhere, which is why I’ve been hesitant to attempt it for other industries.
He’s a decent actor that I’ve liked more in his supporting roles, such as in Hana Dan or .
Looks-wise he reminds me of Lee Jun Ki‘s brand of combo masculine-feminine prettiness.
He reminds me of a combination of Takeshi Kaneshiro and Tony Leung, with plenty of simmering charisma to burn.
Aside from With Love, I also adored his ) was a classic 90s dorama that was the first Cinderella love story before that trope became a dime a dozen.